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luigiscaramuzzo


WORKS


EBO ENSEMBLE, Pneuma x Landscape 2024 various artist on 13 Silentes
Contemporary soundscape, providing new perspectives on the relationship between sound, space, and perception.
B.D.S.M. (basilicata drone sheep music) - Scurnét Fayda.exe, Policoro, Italy
Resilience Echoes 2, There is no permanence but only echoes

NOCTURNAL TWINS x OLO project at Fonderia 20.9 Sound installation for a project that crafts narratives blending data and fiction, Fonderia 20.9, Verona, Italy
ATTRAVERSARE x Open Sound Festival at Casa Cava Site-specific Audio-Visual installation for a project on the concept of  Transhumance, Casa Cava, Matera, Italy
TRANSIENS  x DAL SOTTOSUOLO, Holotone / Fondazione Le Monacelle , Holotone Records, Matera, Italy
Death is always looming, but not knowing when it will come seems to lessen the sense of life’s finiteness.
IS LIFE UNDER THE SUN NOT JUST A DREAM ? x Rocco Venezia - Trascendanza, Perugia, Italy
Divenire Altro: When did time begin and where does space end?
I AM NOT GOD BUT I AM MICHELANGELO ANTONIONI x Anima Prod. - Federico Gatti
Soundtrack for a documentary about Michelangelo Antonioini by Federico Gatti, Parma, Italy
EMBER x Fayda.exe, Policoro, Italy
Resilience Echoes : Sotto il peso dei giorni, l’infinita simmetria.
IL VIAGGIO DI LUCIO x Davide Dimarzio
Soundtrack and sound design for a shortfilm by Davide Dimarzio, Basilicata, Italy
ECDYSIS w/Jori Biodiversità Records, Firenze, Italy Symbiotic Chants: A digital space where new symbiotic organisms are grown.
ELECTROACOUSTIC WORKS 20/22 self-release
Compositions produced during the studies of electroacoustic music composition at the "N. Piccinni" Conservatory of Bari.
IDEALE x Primo Sole
Sound design for a commercial for a local footbal team, Montescaglioso, Italy
ÈKPHRASIS 
Wiring sounds to images
DRON_ENVIRONMENT
A tool to observe the soundscape
FEED-HARP
An experimental electroacoustic instrument
UT
A piece for flute, cello, prepared piano and Feed-harp

omne ignotum pro magnifico

︎ luigiscaramuzzo


UT



UT  is a piece for flute, cello, prepared piano and Feed-harp︎ composed during the course of Contemporary Classical Composition at Conservatorio N. Piccinni in Bari.

The idea of the piece is based on the harmonics series of the middle C.







During the course I explored the extended techniques of cello, flute and piano that is referred to the contemporary musical practice with an eye on composers that started a development process of these techniques such as : Luciano Berio, György Ligeti, John Cage, Edgar Varese, Heinz Holliger, Bruno Maderna, George Crumb, Pierre Boulez and others.

I've done a research on prepared piano and specifically on the techniques adopted by John Cage in his Sonatas and Interludes.
I've found different sounds inserting different objects made of different materials between the strings, also I tried to play the strings with different mallets and sticks.








Last but not least I've used a self-built musical instrument, part of a larger project that I'm still developing.


The Feed-harp︎ is an hybrid instrument composed by a section that includes the strings and its wood structure and a metallic section made by a metallic sound diffuser inspired by the Crystal Baschet invented by Baschet brothers in 1952.
The two sections interacts with an electronic/digital system using piezo sensors and exciter speaker.





Score PDF here ︎︎︎ ︎