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luigiscaramuzzo


WORKS


EBO ENSEMBLE, Pneuma x Landscape 2024 various artist on 13 Silentes
Contemporary soundscape, providing new perspectives on the relationship between sound, space, and perception.
B.D.S.M. (basilicata drone sheep music) - Scurnét Fayda.exe, Policoro, Italy
Resilience Echoes 2, There is no permanence but only echoes

NOCTURNAL TWINS x OLO project at Fonderia 20.9 Sound installation for a project that crafts narratives blending data and fiction, Fonderia 20.9, Verona, Italy
ATTRAVERSARE x Open Sound Festival at Casa Cava Site-specific Audio-Visual installation for a project on the concept of  Transhumance, Casa Cava, Matera, Italy
TRANSIENS  x DAL SOTTOSUOLO, Holotone / Fondazione Le Monacelle , Holotone Records, Matera, Italy
Death is always looming, but not knowing when it will come seems to lessen the sense of life’s finiteness.
IS LIFE UNDER THE SUN NOT JUST A DREAM ? x Rocco Venezia - Trascendanza, Perugia, Italy
Divenire Altro: When did time begin and where does space end?
I AM NOT GOD BUT I AM MICHELANGELO ANTONIONI x Anima Prod. - Federico Gatti
Soundtrack for a documentary about Michelangelo Antonioini by Federico Gatti, Parma, Italy
EMBER x Fayda.exe, Policoro, Italy
Resilience Echoes : Sotto il peso dei giorni, l’infinita simmetria.
IL VIAGGIO DI LUCIO x Davide Dimarzio
Soundtrack and sound design for a shortfilm by Davide Dimarzio, Basilicata, Italy
ECDYSIS w/Jori Biodiversità Records, Firenze, Italy Symbiotic Chants: A digital space where new symbiotic organisms are grown.
ELECTROACOUSTIC WORKS 20/22 self-release
Compositions produced during the studies of electroacoustic music composition at the "N. Piccinni" Conservatory of Bari.
IDEALE x Primo Sole
Sound design for a commercial for a local footbal team, Montescaglioso, Italy
ÈKPHRASIS 
Wiring sounds to images
DRON_ENVIRONMENT
A tool to observe the soundscape
FEED-HARP
An experimental electroacoustic instrument
UT
A piece for flute, cello, prepared piano and Feed-harp

omne ignotum pro magnifico


DRON_ENVIRONMENT






Drone_nvironment is a project that finalize my thesis work Il drone ambientale that is a research on drone as musical object and its relationship with human through different musical genres and different historical periods.


It is a digital instrument that uses different synthesis techniques to investigate the relationship between drone and soundscape.
It does through the decomposition and the spectral analysis of Ambisonics field recordings of natural and urban soundscapes.
The two fundamental techniques that are involved are granular synthesis accumulation and time stretching that Barry Truax, the composer that inspire me in the project, define as:



“a tool that allows you to observe matter as if under a microscope e
to enter, from a perceptive point of view, another time by focusing
even minimal details of the internal movement of the acoustic material.”






It is built in Max/msp/jitter, a visual programming language from Cycling ‘74 for music and multimedia research.






The instrument is coinceived for both performative and installative environment, starting from 1th order Ambisonics field recordings it produces harmonic and inharmonic drones using 4 granulators and effects and it targets the sounds to a 4 channel quadraphonic diffusion system.